What you
really need to know to survive if collecting antique lures... stuff your
mother didn't tell you about...
Rejection
| Auction-Action | Tricks |
Trading | Rarity |
Cleaning lures/boxes
REJECTION AND THE "FIX" OF COLLECTING LURES
If you
hang around lure collectors for very long, you are going to hear one of us
mention the drug related feeling..."I need a fix". If we lure collectors
can't find something to buy or add to the collection on a regular basis, we
tend to get withdrawal symptoms: hyperactivity, edginess, yearning for
stimulation to the lure seeking part of the brain. More than likely this
is a pre-historic left-over from the hunting and gathering instinct. A
distinct, powerful lower brain function, not unlike sex.
Watch the
antique lure chat rooms long enough and you will see someone mention they are
fulfilling this need by relating tales of a find or begging for someone to
post a story through which the rest of us can endure another lureless day.
It's the "I need a lure fix" syndrome. It is why eBay is such a
success. Assuming you accept this observation as fact, let's see
if we can burst the comfort bubble and hang out some psychological underwear
for airing regarding this constant hunting and buying of fishing lures or any
collectible.
We all
hate rejection. No one actually goes out looking for rejection in any
form be it socially or business related. One would suppose that healthy
individuals avoid rejection on the assumption that rejection is something you
would just rather do without on a good day. I would suggest that the
"need a lure fix" feeling is related to rejection avoidance. Ask any
insurance salesman: "What is the worst feeling you endure?" I'm sure it
will be rejection. Salesmen in general, to be good at their craft, have
to be able to handle rejection. The rest of us avoid rejection like
crazy.
Collectors
of any ilk are not used to rejection because they satisfy their need to avoid
rejection by constant buying in the name of "adding to their collection".
Think about it, no one is generally rejected when buying, that comes when
selling. If there isn't anything to buy in one area, then we shift to
another area of collecting. (Can you visualize plastic lures from the
70's?) The same pattern occurs in most areas of collecting and shifts in
collecting occur when the supply or price move out of the individual's comfort
zone.
If you
want to test this observation, just try to sell some of those " in very good
plus condition" lures for which you paid so dearly. This is when
the chickens come home to roost. If you are talking selling, then you
are talking about moving out of the comfort zone. Those who buy do so
out of a need to avoid rejection and seek comfort. (Ever notice all
those women in the malls with shopping bags?) No salesman says "no" to
the buyer with the right amount of money or the ticketed price.
For the
buyer, the comfort is found in the acceptance created by the buying. If
you doubt this observation, get on the Internet or phone and try to sell
something at an inflated price. If no one accepts your item, then you
are going to find out about rejection on some level. I would suggest all
of us need to try to sell some of our collectibles from time to time just to
get a reality check. Want to find out if you are paying too much?
Buy a lure in the morning and see if anyone is willing to buy it for the same
price in the afternoon.
So, the
next time you start getting that feeling that you need a "lure fix", remember
that you are just avoiding rejection and all the other excuses why you are
trying to make a buy are just rationalizations.
PRICING ANTIQUE FISHING LURES:
Another
variable relative to condition depends on just how much you are asking for
your bait. Price and condition are linked in a way where correctly priced
cheaper baits don't require the more strict condition one would expect for
higher dollar values. If you are pricing at what is known as "retail plus" for
a rare and excellent piece, then the grading is going to get real picky, real
quick. However, if you are asking a reasonable price then maybe the mental
gate for condition gets lowered a few pegs so the deal goes through.
I guess
what I'm saying is don't expect to get an excellent condition price for a bait
that is incorrectly graded. Both parties have to agree on the grading and then
the price will follow.
The
absolute bottom line on pricing is for you to attend as many shows as possible
to look and learn about prices from actual sales. Yes, this is expensive to do
and takes a lot of time, but again it is the price of your education and can't
be done in a short period of time.
What
someone "asks" is rarely the sale price in antiques and believe me, we are
talking about antiques here, not just fishing baits. What a guy has for a
sticker price will change depending on if it is the first or last day of the
show. Trade prices are different than cash prices. Trade prices tend to be
much higher. Cash talks.
Prices
also tend to vary greatly from one part of the country to another. In
Michigan, the supply of lures is greater than in Arizona, so the prices may be
better in Michigan. The same goes for the number of collectors in an area.
Competition among a large group of collectors will drive the price up due to
demand. The number of collectors in Michigan is greater too, so the supply and
demand equation works both ways. In this information age, the phone network or
Internet can spread sales prices in one evening. To quote that sage of sages,
Clyde Harbin, Sr., "Nothin' ain't worth nothin' except what someone is willing
to pay." Just because a high price was realized at the last auction doesn't
mean that my lure will bring the same price with the next buyer.
Here is a
hint on how to price lures: look in the completed auctions list on eBay.com.
Sort by bid price and look at what a given lure went for at auction.
This is tricky because it is not absolute, but a one time event. Price
depends on condition and rarity, but also willing buyers. That one
particular buyer may not have been at the auction, so the price shown
may be abnormally low.
MARKET
PRESSURE ON LURE PRICES:
It only
takes a few buyers in the high-end of the market to set a trend. A few
years back it was auctions that set the pace, but more recently, the prices
are set among a few collectors who are in constant communication by phone, on
eBay, and by e-mail. One buyer paying "stupid" prices can change the
asking prices across the country in a matter of days. There is always
resistance to price changes among older collectors who have "seen it all", but
new highly motivated collectors with serious money to invest will move past
the older collectors in lightening speed. The scarcity factor is very
much in play across the country since 1998. Lures from the large
collections in the Michigan and New York areas are slowly surfacing as older
collectors react to the reality that their collections are worth a fortune.
Again, the high-end part of the market (early excellent condition lures and
boxes) are setting the pace and all other areas are responding in kind.
BROKER
TRICKS:
One of the
more disturbing tricks I've heard about involves an unethical broker or dealer
(and endangered species). This individual will contract with you to sell your
collection for a very low percentage (say 5%) and then gives you a letter of
intent to sell at a given price for each piece. If you agree to the letter of
intent, then he sells at that price as a minimum. He then sells off some of
the pieces he doesn't want, but buys other pieces at the price of the letter
of intent for himself. He then sells those pieces as his own at "real" prices.
This is not ethical under any circumstances and it goes on all the time with
brokering of large collections. In any collection there are always certain
pieces which are worth more than anyone thinks. The broker know this and
angles to buy those pieces at the lowest price possible. Even if he is getting
a commission, buying a few rare pieces under the table at a low price and then
reselling to private customers is too tempting.
AUCTION TRICKS:
Tackle
auctions are dangerous business unless you know exactly what you are doing.
The odds of getting a "deal" at a well advertised event is slim and none if
many "collectors" or dealers are in the room. At an auction, your knowledge
can make or break you in a flash. If the room is full of knowledgeable
collectors or dealers and something "rare" is going for a low price, chances
are there is something wrong with the piece and you best back off.
On the
other hand when antique fishing tackle comes up at some non-tackle event like
a gun show, look out because you can do really well with little or no
competition on the floor. Auctions where tackle is not the center of the show
tend to not advertise the tackle and bargains can be had.
In my
experience, you are best to closely examine auction items personally or have
an agent look at something for you if you wish to bid on by phone. Phone bids
are safer than written bids because you get to bid against the bidders on the
floor. Written bids, on the other hand, are the first number taken to open a
bid and the bidding starts or stops with that bid. If the written bid is too
high, and not challenged on the floor, the write-in bid is taken. What this
means is that the people on the floor didn't think the object was worth the
money bid by the write-in and passed on it for some reason.
Another
area to watch is sharking at antique auctions. The way this deal plays out is
a guy will put a collection on the auction block and buy the first items
himself at an inflated price in order to drive up the prices of the other
items. The most the guy is out for buying back his own stuff is the charges by
the auction house. Apparently this went on in the duck decoy business a few
years back. The only defense here is to know what the price should be and not
play the game if it gets crazy or stay away from auctions unless you are very,
very knowledgeable. An experienced collector or dealer will spot this kind of
game and not play.
INTERNET
AUCTIONS:
If you
have not been in on the eBay.com action, then you have missed a world of fun.
On the other hand, you may have missed getting stuck with a bunch of junk
lures sold by people with questionable ethics. In some cases, eBay is
where everyone is unloading the lures that don't sell at tackle shows.
Most of the stuff is in below average condition and is being sold for 30 to
50% more than normal prices. In many case, like when there are eighty
page of lures, items are being sold that could not be sold at an NFLCC show in
a lifetime. What this says to me is there is a pent up demand for
antique lures and people who know little or nothing about antiques are buying
just to buy. It's sad to think what a difference a little knowledge
would make to these individuals. There are some great pieces placed on
eBay for sale, but you better know what you are doing and not do it on
impulse.
If you
must buy on-line, do so with eyes wide open and don't buy it unless you check
prices elsewhere first. Just having a couple of the lure books
will tell you if you are getting ripped off or making a fair buy. Here's
a list of reference books.
ETHICS:
Reality
check. From time to time, there are individuals on the Internet chat lines
cursing the NFLCC at large for the ethical infractions of a few.
Unfortunately, being a member of the NFLCC does not insure ethical behavior.
There is no system of referral or "tap" to weed out people with questionable
ethics from joining the NFLCC although I wish there were.
Unfortunately, all you do is pay your dues to the NFLCC and presto, you are a
member. Yes, given enough reason, the club will expel a member for unethical
behavior, but from what I can surmise, that is the exception rather than the
rule. For these reasons, you have to be a little careful about who you deal
with in the club. Don't assume that just because so and so is a member that
their ethics are above reproach. Get to know a person before you deal. Eye to
eye contact is usually the best policy, but barring that possibility, make the
effort to communicate with the person and try to judge their behavior from
more than one angle. One advantage of being a member of the NFLCC is that you
can call other members and check out a given individual. Most of us who are
actively collecting know one another or at least know someone who has second
hand knowledge. It's called networking and is best done one on one.
All the
membership offers is a set of standards for return privileges after three day
inspection. There is no guarantee that the individual with whom you are
dealing will act in an ethical manner or grade according to your standards.
For new collectors, there is often the assumption that everyone in the club
will "take care" of them and deal in their best interest. For the most part,
this is true and the majority of club members I know will bend over backward
to help you with your collecting. Probably 95% are well meaning individuals,
but there is that fringe group who are in it for the money and couldn't care
less about the collecting. I for one have never had a single unresolved
problem, but I have heard of people who have had major problems. All I'm
saying is be careful, have fun, but be aware that like any large group, there
will be individuals who will take advantage of the unknowing and green.
Another
word of just friendly advice...be extremely courteous on the Net or with any
non-verbal communication like E-mail. You never really know who you are
talking to when dealing with a faceless contact. Language becomes the eye
contact where a "please or thank you" may have to substitute for a smile or a
handshake. And, for goshsakes sign your name to your E-mail....!
TRADING ANTIQUE LURES:
Personally, I found trading to be mind boggling for the first couple of years
because I didn't know what was valuable and what was not. When older
collectors would look at baits I found in the field and wanted to trade, I was
suspicious (and with good reason as it turned out) because I figured they
knew a lot more than me and if they wanted it, it must be valuable. I still
have difficulty letting go of items I know to be rare because I don't know if
I can find another one. On the other hand, trading between two knowledgeable
collectors who trust one another can be fun and help build your collection
with better items. Just keep in mind that grading correctly becomes essential
and the ground rules have to be clear before you actually exchange items by
mail. One-on-one, in-person exchanges tend to be much easier than mailing
items back and forth where you may find the other guy's idea of Excellent is
your idea of Good. This is especially true when dealing with
non-collectors.
There are
brokers who specialize in doing two and three way trades. I have one friend
who has helped me build my collection and he is the master of the three way
trade. If I send him such and such lure, he will use that to get three baits
from so and so, then sell one of the three baits to two other collectors and
so on. The secret here is the broker knows who collects what, he grades all
the baits and sets the prices for a cut of the deal. It is the ultimate "I
trust you" situation, and great if you can make decisions in rapid fire order.
The bottom line: get to know the other person first so there are no hard
feelings when making deals. The worst problem I hear about on a consistent
basis is how one guy took advantage of another in the past. Those bad feelings
tend to linger and breakdown relationships.
ANTIQUE LURE FAKES:
Now for
the part of the hobby which scares me the most: repaints and fakes. When the
price of common lures got above $200, it was just too much for some
unscrupulous people to not fake the paint jobs. The NFLCC is presently (1998)
working on new by-laws for the elimination from the club of anyone caught
selling repaints, but like the wheels of justice, the gears of some older
members of the club, who dictate policy, need a little grease. I feel it will
come this year and hopefully buying from a member of the NFLCC will be an
insurance stamp of approval that you are buying quality, and not taking a
chance.
Just this
week (3/20/97) I personally saw a letter written to a friend of mine by a lure
dealer in Michigan who blatantly bragged that he sells repaints to tourists
and "anyone else" (meaning you and I) stupid enough to buy the things (his
words, not mine). Sooner or later, most of you in the club will see this
letter, because it is being processed though the correct channels of the NFLCC
for distribution to as many people as possible. This kind of despicable
individual has to be eliminated from this hobby. Repaints which are deeply
marked are acceptable as craft, but they are not antiques and should never be
allowed to be sold as such.
PROTECT YOURSELF FROM LURE FAKES:
Some hints
to protect yourself from buying repaints and fakes:
-
Get a UV
black light. It won't help much with a total repaint unless you know what to
look for, but touch-ups shine like moonlight under UV light in a dark room.
Newer paint will look exactly the same under the UV light as full spectrum
light. Red will be red if it's a fake. Old red paint looks kind
of a rust color, but it is not a bright dark red. Fake yellow
will turn a dark mustard color, but real yellow will still be a light yellow
under UV. The best way to use UV is to compare to other lures at the
same time and see what color they turn. You have to learn by
comparison to lots of lures and under various conditions. The
ambient light where you examine the lure will cause some changes in the
colors. A totally dark room is best. Someone needs to write a
well researched article on this one. This small unit like I own is
from Antique and Collector Reproductions News, P.O. Box 71174, Des Moines,
IA 50325 Phone: (515) 270-8994.
-
Think
about that "deal" price. If it looks too good to be true, more than likely
it is. Evaluate the circumstance from which you buy, i.e. has the person had
it since before time, or is it in the hands of a flea market dealer. If your
grandfather had it, don't worry, but if you are offered a $500 bait for $100
by a questionable antique dealer, inspect and re-inspect before you buy.
-
Carry a
10x magnifying loop on you at all times at a show or when buying lures. Look
for age cracks, crazing, the fine age cracks in the paint or varnish of
Heddon and other quality lures. Check for details under the varnish. Look
for inconsistent paint jobs. If the gill marks look too new, assume they
are. Lots of cleaned lures get fingernail polish gill marks added. If
you really want to get serious, pick up a dissecting microscope off eBay in
the scientific instruments section and really take a deep look into those
details. I use it to compare lure to lure in my collection and look at
larger areas of a lure or box.
-
Look at
every bait you can get your hands on. Go see good collections. Get to know
what a 'real' coat of paint looks like. Believe me, you can't do this
without hand holding hundreds of baits.
-
If it's
too good to be true, call and ask your mentor for an opinion. Is it in the
right box? If in doubt, put a down payment on the bait and ask for an
afternoon or a day to research it.
-
Carry
your books with you to shows or when buying. I have duplicate books which I
have taken apart and placed the pages I really need in a notebook and carry
to shows. Since I don't collect everything in the book, why carry the whole
book. Book knowledge is cheap. Experience is extremely expensive.
-
Buy only
from trusted dealers whom you can return something which you don't like. Who
can you trust? Ask other members of the NFLCC who they buy from on a regular
basis. I can name several who I trust and will gladly give you their names.
-
Ask for
3 day return privileges when buying, and above all, ask before you buy. Buy
at garage sales or through ads, but beware of flea markets, antique dealers,
and the guy on the phone who has a deal that's too good to be true.
-
Really
rare lures are rare because they didn't make many or they didn't survive.
Where you find them (in a boat house or old hardware store) makes a strong
argument for their authenticity. Something you buy from the widow of a 91
year old man can pretty much be counted on to be safe, but "salted" tackle
boxes at yard sales are not uncommon.
-
Beware
of inconsistency factors, such as: rusted hooks and perfect paint or vice
versa, mis-matched props, bubbles under the varnish, cracks or crazing in
the paint which have smooth edges indicating over-varnish, paint on the
eyes, mis-matched eyes. A sticky surface, or strong odor of paint. Perfect
paint and nicks in the props or hooks are not consistent to me.
If the cups on a Heddon or South Bend don't seem symmetrical this is a tip
off that someone may have "reworked" the cups. Peen marks from
hammering a cup back to shape is usually obvious.
CLEANING EARLY FISHING LURES AND BOXES
Want to
clean your antique lures? Unless you know exactly what you are
doing...don't! But, maybe it's safe to practice on a beater or two and
then try it on a better lure. I can't tell you how many lures I ruined
when I first started collecting in the name of cleaning. (If you are
going to sell your lures to me, please don't touch them.) I would rather
buy them dirty than skinned of lacquer and chipped up from careless
disassembly.
Unless you
are extremely good at disassembly, I suggest you never disassemble a lure to
clean it. If you do, you may chip the paint on older lures where the
paint stuck to the hardware. Use soft cloth or cotton swabs, but
don't soak them in water and soap. The water will swell the wood if
there are cracks. Early lures should not be wet as any moisture may pop
paint off.
If you
must clean your own lures, (and I do), use something like the non-abrasive
German made product for cleaning fiberglass called "Flitz". It is
non-abrasive and works in seconds to remove grim and oil. It won't damage the
paint and I've used it for years. It also leaves a polished
surface to protect the paint.
I know
guys who use "Mother's" to clean, or one of the "cleaning cloths", but I've
never had much luck with those. For me Flitz is the answer.
Sometimes I use a hand cleaner product called "GOJO". It has lanolin in
it and works well, but apply with a soft cloth or cotton swab and wipe with a
damp cloth soon. Never use anything with ammonia or alcohol in it,
because it will cut the paint.
Cleaning
hooks is a work of love to be sure. I've tried phosphoric, hydrochloric,
and other acids with little results. A wire brush on a Dremel works, but
if you get near the body of the bait, you can ruin a valuable lure in seconds.
Cleaning with Flitz works, but there is a more abrasive product called Poe
which can be used with a cotton swab. Don't use Poe on paint.
Cleaning boxes is a whole different story than cleaning paint and metal.
I have not used either of these products but I've
heard that Wallpaper cleaner will clean cardboard boxes or use a product
called asorene which can be found at good wallpaper and paint stores.
Eraser Powder, available at office supply stores or blueprint shops also does
a good job I hear. I've also heard that bread will absorb dirt and
grease and that cleaning with mild soapy water can be done if you blot and not
rub. Don't take my word on this area, be very careful. See
restoration of boxes.